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Ghanaian Gospel Icon Obaapa Christy Urges Nation to Celebrate Her While Alive Ahead of Royal Praise Concert
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Ghanaian Gospel Icon Obaapa Christy Urges Nation to Celebrate Her While Alive Ahead of Royal Praise Concert

On 28 June 2026, Ghana’s gospel royalty, Obaapa Christy (Christiana Twene), stepped onto the stage at the Alisa Hotel in Accra and delivered a message that went beyond music. With a packed audience of industry insiders, church leaders and media, she urged her fellow Ghanaians to recognize her work while she is still alive, stressing that artists deserve appreciation during their lifetime so they can experience the honour they have earned.

The title “Obaapa,” meaning grandmother, has long been associated with Christy’s enduring ministry. In her address, she warned that many musicians wait until retirement or death to receive the acknowledgement they deserve. “I want you to hear me now, before the curtain falls,” she said, urging listeners not to wait.

Christy’s career, which spans more than two decades, began with the hit “Meti Ase.” The song propelled her to national prominence, and in 2007 she was named Gospel Artist of the Year at the Ghana Music Awards. The following year, President John Kufuor conferred a national honour upon her, a rare recognition for a gospel artist. Her influence has crossed borders, with performances in international venues and collaborations with other gospel leaders.

The launch of her first headline concert, Royal Praise, marks a milestone. The event, staged at the Alisa Hotel, aims to unite believers in worship and thanksgiving. Originally slated to follow her 20th‑anniversary celebration, the concert was delayed until now, a timing Christy attributes to “God’s perfect plan.” She emphasized that the show is not merely a spectacle but a platform to reinforce her legacy and inspire a culture of appreciation for gospel musicians.

During the launch, Christy addressed the expectation that veteran musicians should step aside for younger talent. She countered that gospel music is a divine calling rather than a career with an expiry date. “Seasoned gospel ministers still play a vital role and deserve to be honoured while actively serving,” she said.

Her remarks arrive amid a surge in live gospel events and streaming in Ghana. The call for timely recognition aligns with broader discussions about artist royalties, touring revenue and the importance of supporting musicians while they remain active.

Royal Praise is scheduled to run for several nights. The set list will feature a mix of Christy’s classic hits and new material. Organizers have announced that the event will include guest appearances by other prominent gospel artists, although specific names have yet to be confirmed.

Christy also highlighted the emotional impact of delayed recognition. She noted that many musicians dedicate their lives to inspiring others, yet their efforts often go unnoticed until they are no longer present to witness the honour.

The concert’s launch was attended by industry stakeholders, local church leaders and media representatives. While official ticket sales figures have not been released, the venue’s capacity and the artist’s popularity suggest a strong turnout.

Looking ahead, Christy expressed confidence that Royal Praise will reinforce her legacy and encourage a culture of appreciation for gospel musicians. She also indicated that the concert will serve as a platform to discuss future collaborations and community outreach initiatives.

At present, Royal Praise remains scheduled for the end of June, with additional dates to be announced. Industry observers will watch to see how the event is received and whether it sets a precedent for other veteran gospel artists in Ghana.

The concert’s success could influence how gospel musicians plan their tours and engage with audiences, potentially reshaping the business model for live gospel performances in the region.

In summary, Obaapa Christy’s appeal for timely recognition, coupled with the launch of her first headline concert, highlights both her enduring influence in Ghanaian gospel music and the ongoing conversation about artist appreciation and legacy within the industry.

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