DJ Neptune Reimagines Crown Apes Who Dat Girl? with Amapiano-Infused Remix Featuring BOJ

Award‑winning Nigerian DJ and producer DJ Neptune released a new remix of Crown Ape’s single “Who Dat Girl?” on 10 June 2026. The reworked track, titled “Who Dat Girl? II,” is a collaboration with alté pioneer BOJ and shifts the original’s rap‑driven sound toward a dance‑oriented groove that blends amapiano and Afro‑house elements.

The original version of “Who Dat Girl?” was issued earlier in 2026 and featured Crown Ape, BOJ and German rapper Olexesh. It combined afrofusion with European rap influences, a blend that was highlighted in interviews with the group. According to a MusicInAfrica article dated 10 June 2026, the remix “strips away the rap edge and re‑orients the track for late‑night, open‑air sets.” The new arrangement emphasizes percussive patterns, a bass guitar line, synthesizers and electronic drum loops that are characteristic of the amapiano style that has dominated South African club scenes in recent years.

DJ Neptune, whose real name is Imohiosen Patrick, has built a reputation for remixing contemporary African hits into club‑ready versions. He has worked with artists across the continent and has been recognized with several awards for his production work. In the remix, Neptune applies a “summer‑ready” feel, as noted by The Lagos Review, calling the track a “summer anthem” that is “tailor‑made for movement, connection and international dancefloors.” The collaboration with BOJ, who also appears on the original track, adds vocal continuity while allowing the remix to maintain the song’s core hook.

Industry observers note that the remix follows a broader trend of African producers re‑imagining popular songs for the global dance market. Amapiano, a genre that originated in South Africa in the early 2010s, has seen a surge in international popularity, prompting DJs from Lagos, Accra and Nairobi to incorporate its signature piano chords and syncopated basslines into their mixes. The remix’s blend of Afro‑house and amapiano positions it well for play in both African club circuits and European festivals that feature Afro‑beat acts.

Crown Ape’s “Who Dat Girl?” originally charted on several streaming platforms, with the single available on Spotify, Apple Music and other services. The remix is now listed under the same title on these platforms, with the addition of “II” to distinguish it from the original. According to the track’s Spotify page, the remix has already accumulated over 200,000 streams within the first week of release, indicating a positive reception from listeners who favor dance‑centric remixes.

The release of “Who Dat Girl? II” also highlights the collaborative nature of the contemporary Nigerian music scene. BOJ, known for his work with DRB LasGidi and as a pioneer of the alté movement, brings a distinct vocal style that bridges the gap between rap and melodic singing. His presence on both the original and the remix underscores the fluidity with which artists in Lagos move between genres.

DJ Neptune’s remix demonstrates how producers can extend the lifespan of a hit by re‑contextualizing it for different audiences. By removing rap verses and emphasizing rhythmic grooves, the track becomes more suitable for club playlists and festival line‑ups that prioritize danceable beats. The remix also illustrates the growing influence of African genres on global music production, as producers increasingly incorporate amapiano and Afro‑house into mainstream releases.

As of now, “Who Dat Girl? II” is available for streaming on all major platforms and has been added to several curated playlists that focus on summer dance music. The remix has not yet been announced for a physical release or a music video, but industry insiders suggest that the track’s popularity could prompt further promotional efforts.

In summary, DJ Neptune’s remix of Crown Ape’s “Who Dat Girl?” redefines the original with an amapiano‑infused, Afro‑house groove that broadens its appeal to club and festival audiences. The collaboration with BOJ maintains vocal continuity while the production shift highlights the evolving landscape of African music production and its growing impact on global dance floors.